AJOHNNY

@ajohnny

Fri, 24 May 2013 13:56:03 -0400

Born Under Saturn is pretty cool but it gets kind of same-y. It’s definitely more of a wunderkammern kind of thing than something really thesis-driven, except the wunderkammern is only full of really sad dudes going wild.

Thanks for the heads up! I’m pretty sure Sad Dudes Going Wild is the new Girls Gone Wild though so I’ll wanna get on that trend while it’s still fresh

"When was super depressed, I wasn’t working—I was always too depressed. Hemingway did his best work..."

Fri, 24 May 2013 13:41:46 -0400

“

When was super depressed, I wasn’t working—I was always too depressed. Hemingway did his best work when he didn’t drink, then he drank himself to death and blew his head off with a shotgun. Someone asked John Cheever, “What’d you learn from Hemingway?” and he said “I learned not to blow my head off with a shotgun.” I remember going to the Michigan poetry festival, meeting Etheridge Knight there and Robert Creeley. Creeley was so drunk—he was reading and he only had one eye, of course, and had to hold his book like two inches from his face using his one good eye. But you look at somebody like George Saunders—I think he’s the best short story writer in English alive—that’s somebody who tries very hard to live a sane, alert life.

You’re present when you’re not drinking a fifth of Jack Daniel’s every day. It’s probably better for your writing career, you know? I think being tortured as a virtue is a kind of antiquated sense of what it is to be an artist.

”

- In an interview with The Fix, Mary Karr debunks the toxic mythology that it is necessary to be damaged in order to be creative. My own vehement defiance to that mythology is what led me to choose Ray Bradbury – the ultimate epitome of creating from joy rather than suffering – as the subject of my contribution to The New York Times’ The Lives They Lived.

Pair with Karr on why writers write.

(via explore-blog)

This reminds me that I should try to get my hands on a copy of Born under Saturn this summer.

neilcicierega: Today is the 1 years anniversary of the death of...

Thu, 23 May 2013 20:39:02 -0400

neilcicierega:

Today is the 1 years anniversary of the death of Jake Jobs president of Apple Printer company and inventer of the phone. R.I.P. Jake Jobs

An off-again-on-again rainy day is as good a time as any to...

Thu, 23 May 2013 17:06:00 -0400

An off-again-on-again rainy day is as good a time as any to upload this thing here, which I’ve picked up and put down for the past nine months. It may not be finished, but it’s done.

jhermann: if anyone can give me an explanation for why this of...

Thu, 23 May 2013 13:25:03 -0400

jhermann:

if anyone can give me an explanation for why this of all songs is stuck in my head right now i’d love to hear it

must’ve been something in the water for these past few days

Here's our new track "Transitional Bird (Clever Girl)" http://bit.ly/16bHs5P

Thu, 23 May 2013 11:36:55 -0400

candyclawsfuture:

-C&C

A T L A S T

Embarrassing--

Wed, 22 May 2013 16:56:28 -0400

trying to eat an ice cream cone that melts faster than you can eat it. The struggle is saddeningly real. Now I know what Hades is like

ratsoff replied to your post: don’t wanna love The Carpenters but I think I’m starting...

Wed, 22 May 2013 15:50:00 -0400

ratsoff replied to your post: don’t wanna love The Carpenters but I think I’m starting to love The Carpenters

dude i luuuuuve the carpentersss

I’ve liked a couple of their songs for a while now, but until today I hadn’t really listened to their music — then I was like “hmm, maybe I should listen to Close to You” and now things are getting pretty next-level!

don't wanna love The Carpenters but I think I'm starting to love The Carpenters

Wed, 22 May 2013 15:33:20 -0400

radiationcity: We are pleased to announce that our second...

Wed, 22 May 2013 13:04:55 -0400

radiationcity:

We are pleased to announce that our second full-length, Animals in the Median, is out today! Own your own beautiful yellow vinyl, or regular cd by clicking here.

Not sure if this is a band for the long haul but (1) I haven’t even listened to the album yet, (2) making that kind of judgment is usually pretty tedious anyway and (3) as I’ve said several times before I’m a sucker for seventh chords, so for now this song is a winner in my book

smithsonianmag: Molting Cicada GIF The cicadas of Brood II are...

Mon, 20 May 2013 14:48:36 -0400

smithsonianmag:

Molting Cicada GIF

The cicadas of Brood II are starting to emerge after 17 years living underground and feeding on tree roots. Shown in this GIF is the molting process of a cicada as it turns into an adult with wings.

GIF courtesy of T. Nathan Mundhenk / Wikipedia

Ed note: The cicadas are coming, and so are the terrifying spores that eat them alive.

I am NOT READY FOR THIS

rgr-pop: I’m gonna try

Mon, 20 May 2013 03:16:21 -0400

rgr-pop:

I’m gonna try

Being a hero, stooping to love an album everyone else trashed....

Sun, 19 May 2013 23:50:00 -0400

Being a hero, stooping to love an album everyone else trashed. (After a couple more listens I’m starting to see why; dude turns out glossy productions but sometimes they lose focus or try to get too much mileage out of their flashiness — I was just fortunate to’ve encountered this album during my twice-or-thrice-a-week-playthrough-of-New-Look’s-album phase. Right now my heart is wide open to catchy spareness.) As with all songs I love, I slowed this one down.

Come on back guys — come on back!

Sun, 19 May 2013 20:57:55 -0400

Come on back guys — come on back!

howl it to the mooooon

Sat, 18 May 2013 12:24:58 -0400

howl it to the mooooon

Audio

Fri, 17 May 2013 17:31:43 -0400

'The Strangest Conference I Ever Attended' - Percolator - The Chronicle of Higher Education

Fri, 17 May 2013 01:24:00 -0400

'The Strangest Conference I Ever Attended' - Percolator - The Chronicle of Higher Education:

DIVINE POTENTIAL ignites the “journey” from
“POSSIBILITY”
through
“the METAPHYSICAL”
onward through
“REALITY”
and onward through ever-ascending levels of
“CONSCIOUSNESS”
and presumably toward
INFINITE DIVINE EXTRAORDINARIATION

Photo

Thu, 16 May 2013 20:49:21 -0400

famousamericans: Fred and Adele Astaire (1899-1987,...

Wed, 15 May 2013 20:52:25 -0400

famousamericans:

Fred and Adele Astaire (1899-1987, 1896-1981)

All history is archaeology; every investigation of the past requires that holes be blasted in the solid ground our present lives are built on, that the accretions of the intervening years be sifted through and done away with, that all understanding will only ever be an incomplete and contingent reconstruction, never a return.

The advent of sound film at the end of the 1920s was, in twentieth-century entertainment, the equivalent of some great prehistoric seismic or climactic shift that buries everything that went before it in rubble and ashes. The survivors had to evolve or die; and the memory of what they were before will always be incomplete and hollow compared to the living, breathing imago that resides eternally upon the screen.

That is, we remember Fred Astaire for what he was in the Thirties and Forties with Ginger Rogers, for what he remained for twenty years after that, for the cinematic prodigy he was, the suave picture of elegance despite a balding, homely face, never as convincing when seducing a woman as he was when seducing the viewer with his pristine, wonderfully accurate motion.

But what we do not remember, because on some level we suspect that whatever is not on film has no true existence, is that his real partner was never Ginger, a self-made and deeply ambitious woman twelve years his junior who could act him under the table but struggled to keep up when dancing. It was his older sister Adele, who was the naturally gifted dancer in the family, who pushed him to dance so that she could have a partner when she was eight years old and he was five, whose sharply-observed imitations of society WASPs transformed them from the German-Jewish Austerlitzes of Omaha, Nebraska to the polished cosmopolitan Astaires of Anywhere, America.

They received training in both ballroom and show dancing, and were touring vaudeville by 1905. In 1917 they began to play legitimate theater, generally appearing as parts of piecemeal revues. Theatrical reviews went bananas for Adele’s witty, vivacious dancing and personality; on his feet, Fred could keep up with her, but his comparatively wooden demeanor and antisocial streak meant that he was always overshadowed on stage or off.

But while she was the comedian of the act, he was more musically inclined, and spent time seeking out jazz musicians and studying the work of great black tap masters like Bill Robinson and John Sublette. He struck up a friendship with another Jewish boy fascinated by black music, George Gershwin, when they were both in their teens, and Fred began to take control of the act’s musical direction and choreography, keeping abreast of fast-changing tastes in music as ragtime shifted to jazz and Broadway learned to shimmy, shake, and tap.

In 1920, the pair appeared in their first musical comedy, Apple Blossoms (Fritz Kreisler wrote the music). After that they opened a show a year, until the annus mirabilis 1924 saw them reunited with their old pal George and his brother Ira for Lady, Be Good!, probably the greatest musical comedy of the 1920s, where they played a brother and sister (naturally) forced out in the street and who sang and danced about it anyway. Fred was the put-upon, exasperated straight man; Adele was the winsome, effervescent ingénue, specialty singer and ukelelist Cliff Edwards was the comedian, and Norman Bel Geddes did set design. It was a massive hit on Broadway, then was another massive hit in the West End. The Astaires were legitimate stars, having reached the pinnacle of success that could be won in theater in the 1920s.

They went on to further triumphs, working for Florenz Ziegfeld and starring in two more smashes with Funny Face (1927) and The Band Wagon (1932), and then, within the space of a year, Adele met the youthful, handsome, and loaded Lord Charles Cavendish, younger son of the Duke of Devonshire, married him, and retired. Fred, who had by now established himself as one of the greatest tap dancers in the world and one of the most inventive and forward-thinking popular dancers in the US, had a few more Broadway hits, and then wandered to Hollywood. “Can’t sing. Can’t act. Balding. Can dance a little.” You know the rest.

But as wonderful as his movies would be — and they were wonderful; Top Hat and Swing Time are two of the finest musical comedies ever made, and musical comedies are an essential form — there were always old duffers who remembered 1924 and sighed nostalgically, “but you should’ve seen Adele.”

None of us can now. When she retired, she stayed retired, and only those who were lucky enough to know her in private life caught a glimpse of what had been one of the great personalities of the Twenties, self-made indeed but without ambition — or without the ambition that drove her brother and his later partners. Show business tends to eat people up from both inside and out; perhaps a genuine star who could and did walk away without once looking back was more successful than any, and on her own terms.

Yes! I’ve been waiting for another one of these.

rgr-pop: k-i-s-s-m-e-love: cyberbully | Tumblr on We Heart It....

Wed, 15 May 2013 18:23:42 -0400

rgr-pop:

k-i-s-s-m-e-love:

cyberbully | Tumblr on We Heart It. http://weheartit.com/entry/52741089

Possible favorite moment in movie history

This is my cue to finally give this movie a chance.